Author site for Wendy MacGown
Mechanized Series Book 1
In a world where procreation is a chore and addiction is killing the population, Franny Murphy is exiled upon her youngest child’s 18th birthday. Betrayed by her uncle, the High Council President, she becomes the voice of the resistance.
In a world where procreation is a chore and addiction is killing the population, Franny Murphy is forced from the only home she’s ever known upon her youngest daughter’s eighteenth birthday. The Separation, whereby those bearing and raising children are sequestered from the rest of the population, is the Law.
She becomes addicted to quench, a deadly and readily available depression medication, and then fights to recover. It takes years to build a life for herself and her lover, Matt. Rooted on Earth Satellite One, she struggles with a jilted lover and her estranged older offspring, who’d chosen child-free lives.
The High Council President grooms her as his successor, yet seeks another successor among her children and her jilted lover. She takes a one-way trip to the Moon Colony hospice, to care for Matt, who’d only pretended addiction recovery. Granted all-access as a resident, she broadcasts her plea for change as Athena, the voice of the Resistance.
Clueless Male Frozen in Time
This book is about aliens hiding behind a rogue star that turns the earth’s thermostat down. The aliens claim the earth for their own, shoving humans into the colder regions.
I liked the overall story and would read a sequel, at least to find out what happened to Logan Willis’s son, Alex. Logan is a bumbler, who doesn’t think things through. He doesn’t take advice either. First, he catches his wife in bed with another man; he wasn’t paying enough attention to her. I didn’t like his flippant attitude about a porno starring his wife. It’s no wonder she had an affair. Throughout the book, he bosses her around and dismisses her fears. She passes him a sandwich, and no one else had one. No one else was hungry?
He was the Executive Editor of Harper Collins, recently let go. Maybe his bosses were underwhelmed by him, too. So, he’s supposed to be the everyman. That’s a cringer. It makes sense that he wasn’t an outdoors person or a skilled reasoner. Just edited content that other people wrote.
Somehow, he instantly developed skills with guns, even memorizing their models. His brother-in-law, Richard said that he (and his family) needed to learn to use guns, but I missed the part where the lessons occurred. He also wondered if his kids would “pee out the window?” Okay… Jocular, cutesy, macho dialog. Clueless.
He endangered his family by not listening to Richard’s warning ten years prior, by not hiding his computer screen from a stranger (Cowboy Bill), and by returning to Richard’s house without first securing it. He didn’t listen to anybody, especially his wife, Kate.
Seeing the same fight scene twice was annoying, even though they finally killed Bill. I didn’t like Akron or Richard. Logan’s son, Alex was no better, always chasing some stick-figure girl. It was creepy that Logan watched him with the second girl, Celine.
None of the females were fleshed-out characters except his daughter, Rachel. I liked the robot better than any other character but her. Camping on the hotel roof was interesting. I liked the car wall, too. I also like the Rogue arrival countdown. The aliens were awesome.
Maybe the point was having a bumbling dork as a main character instead of a savvy man that people could rely on.
I give it a B-.
Enjoyable young adult speculative fiction.
This book was about a teenage girl and her friends thwarting the bad spell of a friend who betrays them. It was great to delve into young adult fiction for a change. I like the simplicity. As an adult who still recalls the feelings of being a teenage girl, I found the story relatable. The concept of teens living without adult involvement is an awesome fantasy. I like the disappearing teacher and the uncle with dementia, who left the kids free to be strong. Julian having to be his siblings’ parent was something that often-happened years ago before social services. He kept these responsibilities, his younger brother’s tendencies, and his feelings for Emma a secret to protect them. Emma had her own secrets: the investigation into her parents’ deaths and her feelings for Julian. I liked their budding forbidden romance. I’d like to see how their relationship develops (in a sequel) and how they maintain the good as their power escalates. The parabatai is a great concept!
The author’s warrior girl characterization is great. Emma isn’t just another male warrior with a female name. She’s insecure, not believed by others, and does things by herself to spare others and avoid emotional entanglements. She fights for what she believes in. I like how she treasured her sword.
The author brought to life many mythical characters. The fairies had an interesting culture that I would like to learn more about.
The only sticking point was the extended backstory. The author has written many books about this world. But this was the first book of hers I’ve read and was lost on occasion. This is supposed to be Book One. It should have more retrospective info on the backstory, or less reliance on it. It’s understandable when world-building to have tons of backstory since the “beginning of time.” It’s just part of being a fiction writer, where your world exists as if it were real, but inside your head. Translating that world in a logical, sensible, and enjoyable way to engage the reader is a ton of work.
Key bothersome areas included the previous war, family and friend characters, some of whom just appeared, and what happened to the half siblings after the war. The origins of Mark and Helen were not fully explained. They were older than the other kids. Were they from their father’s prior relationship? There should have been an entire book before this one; and this one should have been Book Two.
I give this book a B+.
I read this book a few years ago, and am just now going through my sci-fi reads to extract feedback. This book was a new foray into speculative fiction in anticipation of writing some. I’m long-time and unapologetic Anne McCaffrey fan (not her son).
Dark Intelligence is a delicious read. I could hardly put it down. It’s about Thorvald Spear, a dead soldier brought back to life to help fight Penny Royal, an unstable AI who’s gone rogue. Spear hires Isobel Satomi, a crime lord, to find her. What creativity with all the life forms—Golem, hoaders, AIs, and aliens transforming to humans and vice versa! It was cool how Isobel evolved into an AI. I really liked the Prador and want to read more about them.
There was awesome interplay between all the characters! It’s hard to pick which of the three main characters I liked the best. Thorvald Spear, Penny Royal, and Isobel Satomi, are respectively, Focused, Chilling, and Damaged.
The “shipmind” was like Annie McCaffrey’s “The City Who Fought.” Mechanization with a human core is always a fascinating read. N.K Jemison uses this concept in her Broken Earth series. (I’ll review that soon.)
I liked everything about Carapace and the Rock Pool. My favorite parts were:
I liked how the shifting points of view moved the story forward. Both males and females were described as strong. Asher didn’t resort to cliched gender roles. I appreciate that. This type of characterization in speculative fiction will draw readership from genders other than male.
I give this book an A.
This is the best book I’ve read in a long time. I’ve never been a fan of Zombie fiction. Maybe I need to take another look. This book was fast-paced and pulled more than a few heartstrings. I had a hard time living my life while it its grip, and plan to read it again in a few months.
M.R. Carey did a great job of getting into the hearts and minds of the main characters. I especially liked Melanie’s innocence, intelligence, and strength. What an amazing little girl. She was happy with her friends and her world, saying good morning to everyone, despite what they called her. Strapped in was normal. She knew nothing beyond the boundaries of her cell and classroom. Seeing her teacher, Ms. Helen Justineau, once a week was her main pleasure. What book would Ms. Justineau read? What fun task would she have them do?
Ms. Justineau saw her as a child, as did the others once they got to know her. Who wouldn’t touch such an appealing child who absorbed lessons like a sponge?
Melanie only got stronger as she learned what she was, and how she needed to relate to the others around her to keep them safe. Her love for Ms. Justineau drove her, because that love was returned. At every step, Ms. Justineau took care of her and made sure she was safe.
Melanie’s relationship with Dr. Caldwell illustrated science versus ethics. How could she kill children to further science? Though Dr. Caldwell was determined to make her mark and find a cure at any cost, she always told Melanie the truth. In the end, telling her the truth of what she’d discovered was all that she could do.
Switching who was captured and who had a future was disturbing. No one truly won in the end.
The movie was enjoyable but changed key details. Ms. Justineau asks Sargent Parks if he ever killed a child but doesn’t tell him why. She also doesn’t have sex with him or scavenge for food with Gallagher. Dr Caldwell’s entrapment of the feral kids and her death were also different. Though Melanie’s name meant “the black girl,” in the book she was blonde, blue-eyed and very pale. In the movie, she’s played by Sennia Nanua, a black girl. Maybe the book should have been that way, too.
It turns out that the author wrote the book and the screenplay at the same time: the book with multiple points of view, and the movie with just Melanie’s. This book is also a re-read.
I give this book an A+
“The Left Hand of Darkness” was just ok—not a favorite—though I might read it again. It got bogged down with too much telling and not showing how the society worked. Was Genly trying to decipher it or Estroven trying to explain it? Hard to tell. I tried to read it but kept zoning out.
I liked the introduction, where Le Guin describes fiction, and that “a novelist’s business is lying.” We make up world in our heads and describe characters that don’t exist—as if they do.
The main character, Genly Ai, was dorky, awkward, and very relatable. I liked how he observed the reactions and behaviors of people around him and often came to the wrong conclusions.
The concept of living in a cold planet was interesting. Eskimos get their babies used to the cold by rubbing their fingers and toes. People in equatorially hot places find temperate zone springs days too cold. It’s what you’re used to. Genly learns that it’s a matter of how you dress.
Though he transitioned from seeing the world through a bi-gender lense, to one that’s more inclusive, he still saw females as “other.” It was only because Estroven was both male and female that he “tolerated” the female at all. He seemed to view kemmering and giving birth as an inconvenience. When asked to explain what females were on his world, he described them in traditional gender roles; then admitted to knowing little about them.
I liked the trek across the ice and was sad when it was over. I’ve lived through such intense, difficult experiences, where every decision is fraught with consequences, and then suddenly find myself looking back in retrospect, forever changed.
I didn’t like that Le Guin referred to dual-gender humanoids as “he.” Seeing “he” everywhere was annoying. Understandably, when she wrote this book, “they” was not an acceptable pronoun.
Funny how Estroven’s name is derived from a feminine hormone. Though Genly longed for a sexual relationship, he couldn’t bring himself to respond to Estroven’s female side when they were in kemmer (See how easy that was?) Genly seemed prudish, insecure, and overly introverted. Where was his curiosity as an ethnologist?
Like many people with deep insecurities, he was blinded by arrogance. He saw kemmer as an “animal like” way to reproduce; and felt that “always being in kemmer,” or able to want and have sex, was a more advanced state. He wondered why the original founders—long-ago geneticists—decided on that approach. Yet he did nothing about his own needs, and was shocked by the the female who eventually arrived from a nearby space, thinking her voice was too high-pitched.
How much better or worse would my world would be in the absence of female as the “other.” What a horrible question! The trouble is, this book was more about that than viewing the two primary genders as equally worthy of respect. First, there are more than two genders. Second, a book that focus on “he” misses an opportunity to build a female readership. In “Dark Intelligence,” I could feel the estrogen. In this book,” I could not.”
“Man-splaining” this is not advised.
According to Wikipedia, “This book “stunned the science fiction critics”; it won both the Hugo and the Nebula Awards for best novel, making Le Guin the first woman to win these awards, and a number of other accolades.”
Interesting. Were the reviewers mostly men?
Ergo, I’m not a fan. I will, however, read some of her other books because she’s an excellent writer.
I give this book an A for its creativity and excellence and a C for its treatment of the feminine.
I’ve read a lot of books lately. It’s a great way to escape reality and deal with someone else’s problems, albeit fictional.
This is my list:
So, let’s get to it…
This book tells about the of Troy from Briseis’ perspective. Once a valued married Trojan woman, she become Achilles’ concubine. In a powerplay, Achilles gives her to Agamemnon, a known pederast. She makes a joke of it later. Young by today’s standards, Breseis’ maturity and compassion amidst the degradation and squalor of camp life ring true. She remains strong and becomes a healer, as the woman around her are abused and killed as if objects.
This book shows the powerless of the women as their men battled each other over Helen and land. When Breseis begs the gods and the rats multiply, she watches and heals, her contempt building. The clothing she’d made for her father is on the back of her enemy. Before his death, Achilles ensures her future by marrying her off to his friend.
This book was depressing. I felt bogged down by the powerlessness of the women and felt contempt for the selfish men who did battle over nothing. It was a powerful read that I will not forget.
This story switches from past to present in the story of Mara Alencar, a cancer patient’s caregiver in Southern California. The patient, a young woman dying of cancer, reminds her of her mother. Mara was the only child of a single mom, growing up in Rio de Janiero during the brutal 1980s. In California, she comes to an understanding of her mother’s role and that of the brutal Police Chief who’d terrorized them.
This is about parents and children, and how far we’ll go to protect the people we love. This was a tender book, despite the brutality. I liked that Mara didn’t know the truth until the end. I liked that she found someone with compassion, though it cost her her job. Who knows what books we would have enjoyed if Sam was still among us. Thank you, Curtis Sittenfeld, for getting this one published!
This book was written by a Maine author and recommended by my mother. It’s about a young game warden, who learns that his estranged father is being hunted as a primary murder suspect. A lot of research went into this smooth-reading book–about Maine, the game warden job, and wildlife. My daughter has been hearing the call of the same owl that Mike Bowditch tried to imitate.
This was a fast read, with both primary genders well represented. The verbal and highly professional female game warden balanced the distant mother and the pretty messed-up tramp. The girlfriend was characterized as a clone of his mother. Then there was that Maine stereotype about outsiders from Revere, Massachusetts of Italian descent. Can’t get away from New England boundary wars that make us special–not that I agree or disagree on many levels. You gotta write what you know.
Good job Paul! I’ll be reading more of your work. I really liked the twist at the end.
This one was out there with the violence against women. The perp is a sick bastard who likes to cut the uterus out of women who’ve been raped. His inner voice talked about Agamemnon sacrificing his daughter. I got the women’s point of view of this same murder in “The Silence of the Girls.” That was weird.
The perp had no reason to be that way, except he was in love with another surgical student who got kicked out of medical school for perform this butchery on cadaver. The perp had a perfect childhood. So, he went bad for no reason? It’s a chilling thought that any one of us can turn evil.
I couldn’t stop reading, though. It was like watching a bad accident. I truly felt Jane Rizzoli’s depression in response to the misogyny at work, at home. She wasn’t valued by anyone, even herself. Dr. Catherine Cordell was well-depicted as an unrecovered rape victim. The little romance with detective Thomas Moore added a light touch that dissipated some of the horror and heaviness. Two men wanted her because she was smart and pretty. No one wanted plain Jane. Even her name defined her. So, she had pretty eyes–and that redeemed her? How annoying.
Catherine having steaks on hand to cook for him was beyond belief. A woman living alone wouldn’t have steaks in her apartment. Man food? Really?
The other female victims were stick figures. I’ll read more by this author, but my mysogeny censors will be on high alert.
The two main characters, Jane Forrester and Ivy Hart, were wonderfully characterized. I’ve read other books about the Eugenics program. I can’t believe the program just ended 1974.
Jane was newly married to a doctor who expected her to be his lovely homemaker and the mother of his children. She told him she wanted more, but he refused to listen. He was all about himself, and she had to subvert herself to please him. You can’t hide who you are. He never bothered to learn who she was and dismissed many of her finer qualities as part of her past.
Ivy’s life was matter of fact. The farm owner was in power over everyone and abused his power by forcing two of the women to have sex with him. The powerlessness of being black and poor and white and poor was well-described in the intimate relatiuonships. Anger andfrustration could not quell Lita’s strength and dignity, or Ivy’s demand for a life with her beloved.
Jane, a naive new social worker, was assigned to Ivy’s family. When Charlotte, her supervisor, broke her leg on the job, she had to see clients alone and make her own choices. She took Ivy and her family to the beach and got electric fans for them, breaking several rules. When she told Ivy’s sister that she’d already been sterilized and took her toddler away from her, there were tragic consequences.
Jane was fired for telling Ivy that she’d be sterilized, too, and then fought for Ivy and gave her a voice.
This was an amazing book. I couldn’t put it down. The ending was perfect.
I finished Jeroun a few days ago and wasn’t satisfied with the ending. It seemed disjointed, going from a battle scene to people who had no connection. Why didn’t the woman want to know about her daughter? Who were the dark and lighter men?
I read it again today and was amazed at my previous lack of connection. I’ve been under the weather with a cold and my outlook challenged. Outlook is everything, as Vedas learned.
The Goddess (not God) and her partner made sure that Jeroun was not destroyed. She incarnated as a small girl, who loved her mother; while her partner incarnated as Berun. Their love is deep. From another planet they came and would ensure their people survived. The two men, father and son. had done evil things.
Adrash and Shavrim? Adrash and Sradir? Both loved Adrash.
In the end, love is all, and compassion freely given. People are both good and bad and there ‘s nothing new under the sun. Whatever we do, it comes back to this.
Love is all.
I’m almost halfway through this book and loving it. The text is lyrical, the characterizations intense. The females are realistic. Good job getting women right! I like the compartmentalization in some of the characters’ minds. They love/love intensely, yet are resource rivals with opposing agendas. Like between Ebn and Pol and between Vedas, Churls, and Berun.
Berun is my favorite character. I can’t wait to see what he does.
The science fiction I’ve been reading is about warriors, machines, disease, battles, and dealing with cataclysmic disasters. It’s heavy on battles, light on women. Women are often depicted as sexual objects, or bitches. They are militarized, with no traditional feminine qualities.
It makes this genre unappealing to many women. It’s like how computer science started out as the province of women, and now only 13% of software programmers are female. The numbers haven’t changed much in 40 years.
Isn’t it time for a change?